Sunday, November 20, 2016

Exploring Your Digital Portfolio - Supercut

Exploring Your Digital Portfolio is The course to take if you intend to use any form of social media in your daily life or future career.

     The internet we know today a beautiful beast.You can contact others worldwide, instantaneously. Communications technology has never been more advanced or accessible, and online business tools are plentiful and flourishing. We truly live in a technological golden age, but it comes at a steep price. The internet is forever, that is, what happens on the internet might stay on the internet forever. Moments of embarrassment can outlast their creators on the internet, especially if there's an audience present. While not everyone is so capable of making a bad impression, there are some that cannot grasp the finality of their actions on the internet, that's why Exploring Your Digital Portfolio is such an important course.

     Exploring Your Digital Portfolio, or "Don't ruin your public image on the internet 101", Is a pivotal course for anyone interested in having a professional presence online or on various social media locales. As well as instilling good manners on Twitter, the course endows you with a wealth of Web-tools to study and utilize. Not to just list a bunch of Web-tools I now use, but to list a few I find the most promising:
  1. Google Docs - Saving and sharing important files with coworkers, collaborators, and clients     
    I can stop worrying about losing my work on a flash-drive, and I don't have to dig through my email to find important files sent from a coworker, all thanks to this collaborative storage powerhouse!
  2. LinkedIn - Facebook for people who haven't given up on their career
    Not to be harsh, but there is nothing you can do through Facebook to improve your chances of being hired, it can only hinder you. Fortunately, LinkedIn is for professionals that care about their appearance to employers, so it's a good way to advertise your skills and interact with other professionals in your field of interest.
  3. Prezi - A simple presentation maker with sleek transition animations
    For those who tire of the traditional PowerPoint, Prezi offers new and exciting ways to display slides of information and content, opening new worlds of presentation possibilities for those willing to think outside of the box.
  4. VoiceThread - Group critique presentation platform
    An interesting take on presentations, VoiceThread is a media showroom. You can upload almost anything to a thread, but upon creation it becomes accessible for others to access and contribute to in a variety of comment mediums.
  5. Wikispaces - The group research project website builder
    If you ever find that the internet is lacking a great deal of research in a certain subject matter, creating a wiki page about it is the first step in bringing said subject to the public eye.
    

      I have the teachings of Exploring Your Digital Portfolio, as well as an incredible professor, to thank for my newfound knowledge of social media manners. The lesson plans aren't so universal as I may have made them initially seemed though, as the reading materials lean heavily upon a career in education, but to say this course is only for education majors would be a waste. The information is applicable to most all professional settings, it just takes some understanding to relate what you learn to what you do.

I hope you found this helpful, Thank you for visiting and Good Luck!



Monday, November 14, 2016

Reading 5

     Chapter eight touches upon the responsibilities of leadership, how a leadership should be organized, and how said leadership will affect those involved.


     A community of connected educators builds around it's leaders. A connected leader leads by example, sharing their techniques to make the jobs of those that look to them easier, so everyone can be more productive. I could imagine the head of an art department at any business should aspire to be this kind of leader. If I was to lead a team of artists I would try my hardest to contribute the most to the project so that others can aspire to do the same and look to me for advice and inspiration.

      As well as leading by example, a connected leader is expected to inspire others to lead too. Even sharing responsibilities, which would take a treat deal of trust for me, personally. I'd feel anxious, delegating work to others if I'd rather do it myself, but a connected leader can build a trust with those they share responsibilities with. The importance of creating a force of leaders is that it makes sharing a wealth of information more accessible, and convenient for those leading.


     A network of leaders means that any one individual tasked with a project won't be spread thin to assist the others involved. Those assisting the leader, sharing the success or struggles of the project, have a greater motivation to do well themselves, and inspiring others in the group to apply themselves as well. Connected leadership is the most efficient means of inspiring teamwork.

Thank you for coming, Goodnight!

Monday, October 31, 2016

Reading 4

     Chapter four explores the concept of collaboration, and creating a professional environment for working together. While the lesson provided refers to the environment of an educator, collaboration is not exclusive to education. Artists can collaborate all throughout their careers, assuming they work well with others. By The Connected Educator's definition, the artistic equivalents of a learning environment are peer review and constructive criticism. Artists can learn a lot from one another, just as educators can teach others new concepts of teaching.



     A building block of collaborating is the relationship of those collaborating. This portion of the chapter elects to pats itself on the back for following the previous chapter about how to learn from others, because the reader couldn't have come to that conclusion on their own. Yes, learning from other people is a key component of collaboration, and learning to collaborate will build a professional relationship.



     With any professional relationship, trust is important. Collaborating with a co-worker means trusting them with your time and how successful the final product will be. Collaborating requires mutual trust, because there are mutual risks and rewards. You have to be able to trust that others are going to be as professional and goal driven as you to encourage an environment for collaborations.



I hope you found this informative, thank you for visiting, and good luck!

Tuesday, October 18, 2016

Reading 3

     Chapter Five was a pretty natural progression from our Web 2.0 Smack-down presentations. This chapter is all about web tools, and how they would be very apt in the life of an educator. As an artist, web tools like Teachertube are a bit less useful to me professionally, while I've been seeking out a means of cataloging websites (my favorites bar is already full) like Diigo.

     Web collectors like Diigo are a convenient means for educators to store web addresses and web tools, but I foresee myself creating a library of artistic references, Lynda lessons, and the list of social media and professional networks I'm subscribed to. For those not well versed with the ins and outs of microblogging, it's a glorified way of saying you use social media sites like Twitter. The concept being your microblog's content can be accessed through a social media hub, but yours is not the only content available, and your content seems microscopic compared to the masses of other content being shown on a social media site.


      I never realized there were wikis other than Wikipedia. I mean, it's obvious now, but i though Wikipedia was a unique concept and other "wiki" sites were just individual blogs. Wikispaces is one of the best ways I know of making collaborative content for the web, but that isn't saying much. I could see myself using Google Docs more often. Google's document sharing platform can transfer most file types for a variety of programs, so should I ever have another artist to collaborate with, Google Docs will make it even simpler.

(Andy Warhol and Jean-Michel Basquiat, collaborating artists) 

     Another resource brought up in this chapter was podcasting, which kind of surprised me, because I didn't know they had much of a professional value. While I can't readily apply podcasting to my own studies, it would be an invaluable too for those learning a less visual medium. 





     The last lesson of the chapter is a good summary of this course. Making your presence on the internet professional, is tantamount to success. If the first thing people learn about you when searching for you on the internet is that embarrassing Twitter photo from your High school graduation party, they might not seek your professional expertise.

Good luck, and thanks for visiting!


    

                           

Sunday, October 2, 2016

Reading Two

     This is the chapter Professor Juliani warned us about. From the first sentence this chapter is all about Professional learning networks in a teaching environment. In spite of the author's intentions, the information seems applicable to any profession, and can be quite insightful.

     This chapter elaborates upon building a Professional Learning Community. A Learning Community is identical to a Learning Network in function, providing professionals with connections to others with new resources and skills which they can offer, but a Community seems to hold a more localized setting. For example, in a school setting teachers may rely on one another for alternative methods to teaching, or a further expertise in web tools.

     That's good and all, but what does this mean for me, someone who isn't getting a degree in education? Simple, Personal Learning communities are not exclusive to educational settings. Personal learning communities can be small and specialized or grand and diverse, all depending upon the goals they share. To exemplify myself, as an artist I would need to make professional connections with those who take part in my projects. Computer technicians, printing professionals, other graphic artists, marketing teams; they're all invaluable connections that can help one another complete a complex task.

     While having a solid support system is a big plus for Personal Learning Communities, their key purpose is learning from your connections. Art is an ever changing study, and few artists have the exact same level of study and understanding in every medium. As artists, we benefit greatly from studying the techniques and practices of other artists, so a Personal Learning Network of artists could uniformly produce a wider variety of art than any single artist could create on their own. That's why the concept of using social media like Twitter and LinkedIn makes so much sense to me, as an artist.

Reading One

     Chapter Six of the Connected Educator appears to have a heavy focus on the initial application of Personal Learning Networks and how Social Networking can contribute to building one's Personal Learning Network. It seems to be written by someone who had developed Professional Networks before Social Networks were as prominent as they are today. Another thing of note is the difference between a network and a community.
     As similar as they may be, a network is a group of people connected by a shared interest or interests. A community is an interest shared by a group of people who aren't necessarily working together. I'm quite curious as to how varied the skill sets of a network can have. Ideally, a network would have some connections to every skill set or trade, or at least those which pertain to the network's intended purpose.
     Another enlightening concept was the idea of roles. Individuals with specialized positions within the Personal Learning Network. It kind of escaped me that building a network means being a part of it yourself, you are as much a part of helping as anyone else involved. This chapter also says it's imperative that one's network is in a constant state of achievement, constantly innovating or working together to build the community. It's a lot more involved than my first impression, a contact list of people who could help myself and one another.

Monday, September 19, 2016

Greetings!

     Welcome to the grand opening of my online career log. I would prefer to think of this more along the lines of an online journal, instead of a traditional timeline chronicling my daily activities.

     Being new to Blogger, I ask that one might overlook the aesthetics of the blog itself, in favor of the visuals I can provide.
(A simple piece made in Photoshop for a project inspired by The Twilight Zone)

     Accompanying this venture on Blogger is my newly commissioned Twitter. As a Social Media novice, I found Dr. Kimberly's Cheat Sheet very enlightening, having no prior understanding of "Modified Tweets". I hope to utilize the publicity of my Twitter to share my digital portfolio with other artists and/or potential employers.

     Amassing followers that may share a passion for the arts, as well as people willing to commission or hire me for my artwork, is my aspiration for making a Twitter to partner with this blog. It's through the connections I make through Twitter that I might find professional connections to build a career upon. Thanks to this article written by Steven Hughes, I have a better idea of how to attract a greater prospect of followers.

                           
(Contest Entry for SkillsUSA Banner, 2013. Crafted in Adobe Illustrator and Photoshop)

     In Accordance with Emily Hill's article 10 Blogging Blunders to Avoid, I intend to keep as many of these entries as brief and to the point as I can. Hopefully my grammar checks out too.  

     Thanks for visiting.